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A. Apostol grew up in California, graduated from The Juilliard School with a BFA in Dance, and was a principal performer with the Stanley Love Performance Group for many, many years. A. performed Glen's work last in James Hall's "Operation BLISS" in 1997 and is quite happy, amused and thrilled to be doing so again, with such a great group of STARS.

Eric Bounds is thrilled to be involved in this, his first event with Glen Rumsey Dance Project. Eric received a BFA in dance from NYU Tisch Dance in 2003, at which point he decided to take a break from dancing to persue a career in the Drag Arts. In the years since, he has created a persona (Ericka Toure Aviance) who has become a nightlife icon and has recently released songs recorded with Johny McGovern and tranny rap supergroup La'Mady. Thank you and enjoy the show. 
Raquel Cion has performed extensively in NYC as well as in Paris and the former Soviet Union. As a founding member of San Francisco's theatre company The Fifth Floor, she received a Dramalogue Award and a Bay Area Theatre Critic's Circle Award. For the past few years she was seen at Fez as the chanteuse Cou-Cou Bijoux in the vaudeville burlesque show, The Va Va Voom Room. Raquel is a graduate of New York University's Experimental Theater Wing, Tisch School of the Arts and is now working towards a master's degree in library and information studies. Go figure!
Jean Freebury is happy to be performing again with Glen Rumsey. She received her dance training at Alberta Ballet School, London Contemporary Dance School and North Carolina School of the Arts. She was a member of the Merce Cunningham Dance Company from 1992-2003 and has been a faculty member of the school since 1996. Recently she has performed with Makram Hamdan (2004), Glen Rumsey (2005), Elke Rindfleisch (2006) and is an active member of Magnetic Laboratorium - an interdisciplinary group directed by visual artist Marisela La Grave. She continues her dance studies with Christine Wright.

Makram Hamdan (Beirut, Lebanon 1966) is a Choreographer, Dancer and Landscape Designer. The officially launched Makram Hamdan Dance Company (mhdc) will have its first residency at Robert Wilson's Watermill Center www.watermillcenter.org for the creation of a new evening length work, titled "Double Quartet". Hamdan has been choreographing independently since 1998, touring in Lebanon and France, and appearing in Philadelphia and New York's Joyce Soho. Since 2002, Hamdan has been choreographer and rehearsal director to Robert Wilson for "AIDA", "Alcest", "Carmen", "NDT III", "Tulips and Dancers and Space", and has been a participating artist at the Watermill Center since 1999. Prior to moving to New York in 2001, Hamdan principally danced with Andy Degroat, Cie Red Notes, Jean Claude Gallotta, CCN de Grenoble, Robert Wilson, and intermittently with Bouvier/Obadia, Johnathan Apple, and Douglas Becker. Hamdan is also a core member of Magnetic Laboratorium since 2001 and dancer with the Glen Rumsey Dance Project since 2005. He is a California Institute of the Arts Alumni, attended London Contemporary Dance School on scholarship, and was recipient of an honorary degree from the Centre National de La danse, in Paris France.

Andy Jordan - costume assistant/props
Artist and designer Andy Jordan is happy to be involved again with Glen on a project. Andy met the Glen Rumsey crew during Glen's last project, "ignored in my heaven", when he was assisting designer David Quinn. Andy continues to work with David Quinn on various adventures as well as with the Izquierdo Studio, while pursuing various freelance gigs and personal projects in art, fashion and performance. Andy received his MFA from the Cranbrook Academy of Art and his BFA from the Columbus College of Art and Design.
www.andyjordan.net

Katherine Nauman began her dance training in Madison, Wisconsin. After high school, acceptance into the Joffrey Ballet School brought her to New York City. Katherine received scholarships from Ballet Hispanico, STEPS Studio, and the Ailey School, where she earned a Certificate of Dance with a concentration in the Horton technique. New York performance credits include: founding member and soloist with Maffei Dance Company 1997-2003, Stanley Love Performance Group 1999-2002, and bopi's black sheep/dances by kraig patterson 2003-present. Katherine has performed as a guest artist with Kanopy Dance Company, Madison, WI and Ballet Creole, Toronto, Ontario. She worked as teaching and choreographic assistant to Milton Myers and has been on faculty at STEPS Studio, the Dance Studio of Park Slope and the Connecticut Ballet Centre. Katherine has performed and taught at festivals around the world including: Lincoln Center Out-of-Doors (NYC), Jacob's Pillow (MA), Internationale Tanz-Wochen Wien (Austria) and Vortex Jazz Congress (Moscow, Russia).

Banu Ogan was born in Ankara, Turkey and grew up in Bloomington, Indiana where she studied ballet with Lila Higgins and won a National Society of Arts and Letters Career Award in Dance. In 1991, Banu graduated with a Bachelor's degree in Biology from the University of North Carolina at Chapel Hill. She was a member of the Merce Cunningham Dance Company from 1993 to 2000 and originated roles in ten new works. Since leaving the company, she has performed in pieces by former Cunningham dancers Foofwa d'Imobilite and Ashley Chen and she has also danced with The Seldoms, a Chicago-based dance company directed by Carrie Hanson. Banu has been a faculty member of the Merce Cunningham Dance Studio since 1998 and has also taught technique class and repertory workshops in Spain, Switzerland, Italy, Japan, Brazil and Turkey. She has staged Cunningham's work for the Royal Swedish Ballet (CRWDSPCR, 1993), for students at New World School for the Arts in Miami, Florida (INLETS 2, 1983), for ATON/Dino Verga Danza in Rome, Italy (CROSS CURRENTS, 1964) and for students at Columbia College, Chicago, (MinEvent, 2003). She spent 2004-05 as a full-time faculty lecturer at Columbia College and returned to Illinois for a short stint in October to stage a Cunningham MinEvent on students at the University of Illinois. Banu also teaches part-time at the Juilliard School.

A Native of Greensboro, NC., Glen Rumsey graduated from the North Carolina School of the Arts in 1992. He was a principal member of the Merce Cunningham Dance Company from 1993-1999. He has also performed with Pam Tanowitz, Stanley Love, Mark Morris, Sarah Michelson, and Todd Williams. As a choreographer, Mr. Rumsey has shown work at Dixon Place, Danspace Project's St. Mark's Church, P.S. 122, The Kitchen, Dance Theater Workshop, as well as various public spaces around the city. After he premiered the Glen Rumsey Dance Project in "...ignored in my heaven" at Location One, Jennifer Dunning from The New York Times wrote, "It is a world complete unto itself, with its own crazy logic and dazzlingly imaginative designs...". And Gia Kourlas from Time Out New York called it "a fantastical suite of dances in which Rumsey's vivid imagination is brought to life with the help of 15 wonderful performers...". In late summer of 2006, Mr. Rumsey was the recipient of the Dance Theater Workshop Residency Program. He has been creating, directing and choreographing a project, which will be presented at Danspace Project in late June of 2007. He also has an award-winning alter ego named Shasta Cola, who does her share of performing around the world, daring to go where no man has gone before!
   
Performers from previous Glen Rumsey Dance Project shows...  
Lisa Boudreau was born in Ontario, Canada and trained at the Royal Winnapeg Ballet. Since moving to New York, she has worked with Milton Meyers and Mafata Dance Company. She became a member of the CDF Repertory understudy group and joined the Merce Cunningham Dance Company in July 1994. In 2001, Lisa made her film debut in Mikel Rouse's feature "Funding".
Alexander Gish received his MFA from NYU's Tisch School of the Arts and currently dances with Brian Brooks Moving Company, Keigwin/CO, and Fionna Marcotty. He has taught at universities and festivals throughout the U.S., most recently, as a two year full time Visiting Lecturer at The University of Maryland, College Park. His own choreography has been performed throughout New York and the DC area. Alexander is a Yoga Alliance certified instructor of ISHTA yoga.
Linda Martini is an artist. There. I said it. Many people said it couldn't be done: teachers, peers, family, but here I am on the stage more than once a year and I write performer on my tax forms. I think that qualifies. In fact, because I chose an illegitimate artform as my tool to create (burlesque, under the name Dirty Martini), I've been on the stage more than most performing artists that I know with the exception of Broadway showfolk perhaps. I suppose the reason that I mention this is that Glen asked me to do something other than burlesque and I generally do whatever Glen wants me to do. This time, my knee injury is better and Glen wants me to dance...alot...dance like I danced for Stanley Love Performance Group. Dancing isn't easy. I mean it's not easy to execute, but mostly I mean it's not easy to be a dancer these days. I have no place to rehearse and if I'm lucky I take class with Janet Panetta a couple times a week. I'm not looking for sympathy. These are the facts and it's been this way since I moved here to be a dancer in the early 90's. Critics are just now facing the fact that this is so. So, that having been said, I am very thankful to be dancing with all of these fantastic artists. Other facts about me are: I graduated from Purchase College, and I've also performed with Julie Atlas Muz, Gabriel Kroos, Pink Inc., Penny Arcade, Karen Finley and Chris Tanner.

Cheryl Therrien
Training: BFA SUNY Purchase
Professional career: Irish modern dance theater, Dublin 2004-present. Merce Cunningham 1993-2003. Sarah Michelson 2001 & 1993.
Teaching: Cunningham studio, The Place (London), Stanford University, Mills College (Oakland, CA), Lyon Opera Ballet, Centre National de la Danse (Lyon), Random Dance Co. (London)
Staging: "Changing Steps" for the students of Tisch School of the Arts (NYU) Sept./Oct. 2005

As a performer, Ede Thurrell has created many roles for bopi's black sheep/dances by kraig patterson since 1998, and is well known for her work with Stanley Love Performance Group 1995-2002. She has choreographed events for Sysco Systems and Asphalt Green and a French television commercial directed by Michel Gondry. Her work has been presented in New York at Barnard College, Fresh Produce, Welcome Back to Brooklyn, and Kids' Café Festivals, on VH1's "RuPaul Show", and in Paris and Copenhagen. She has been commissioned numerous times to create repertory for the Creative Arts Studio, Brooklyn College Preparatory Center for the Performing Arts, and Kanopy Dance Company of Madison, Wisconsin where she is also a regular guest performer. In 2004 she produced and performed in a critically acclaimed evening of solo works at the Flamboyan Theater in New York City. "Ede Thurrell's best moments are itty-bitty star bursts. She obviously relishes surface glitter but also integrity of form and precise timing." Village Voice Feb. 2004

   
   
   
   
All text and images copyright Glen Rumsey Dance Project 2007